Illustrations and visual identity cooperation for Casa Blanca Sicily
a stone villa overlooking Scicli
Casa Blanca was born from a love for timeless design, slow living, and the cinematic charm of southern Sicily. Tucked into the baroque hills of Scicli – the house feels like a quiet frame from an italian film.
The visual power of the drawn poetics is subtle and playful, elegant and human. Typography and illustrations together create a character that feels authentic and memorable. The result is a visual style that carries the atmosphere of the slow south, tells its story, and attracts attention.
Visual identity in collaboration with studio Groovio.
web
The visual power of the drawn poetics is subtle and playful, elegant and human. Typography and illustrations together create a character that feels authentic and memorable. The result is a visual style that carries the atmosphere of the slow south, tells its story, and attracts attention.
Visual identity in collaboration with studio Groovio.
web
2025
Visual identity for Casa Calma
connection with nature and a space where new ideas are born
Casa Calma creates a space where time slows down and offers people everything they need for their creative work, without any distractions or disturbances. At the same time, they should leave the cabin full of new ideas and inspiration.
The visual direction is modern, minimalist, and clean. It is contrasting and distinctive, yet still maintains a minimalist and earthy mood. It communicates authenticity and design maturity and appears harmonious, but more confident than quiet.
The logo plays with the letter M, which is transformed into the shape of mountains and hills. This symbol can function as a standalone logomark, which also embodies Calma's philosophy—from crowdedness to simplicity, from haste to calm, from noise to silence. The identity is complemented by illustrations that are composed of simple shapes and inspired by the surrounding nature and Japandi style (as is the entire cabin).
The visual direction is modern, minimalist, and clean. It is contrasting and distinctive, yet still maintains a minimalist and earthy mood. It communicates authenticity and design maturity and appears harmonious, but more confident than quiet.
The logo plays with the letter M, which is transformed into the shape of mountains and hills. This symbol can function as a standalone logomark, which also embodies Calma's philosophy—from crowdedness to simplicity, from haste to calm, from noise to silence. The identity is complemented by illustrations that are composed of simple shapes and inspired by the surrounding nature and Japandi style (as is the entire cabin).
2025
visual identity for a slow fashion brand
sustainable style for growing explorers
lamini is a small brand of sustainable children's clothing made locally and ethically using only natural materials. They produce mostly gender-neutral pieces that can grow with your child thanks to their growing fits. lamini's pieces are designed by mother Dominika and daughter Laura, from whose names the brand name was created. The visual identity was supposed to be playful, variable and complemented by illustrations.
2023
visual identity for Chalet Tré
Tré is an exceptional space for rest, work and meditation. It is an experiential cabin for people who appreciate beautiful design, attention to detail and a peaceful environment in the middle of nature. The vision is for Tré to be a place where people will want to come back to, and that will give them inspiration and energy.
The visual identity has a modern, minimalist, clean and functional direction. It has a high quality, even luxurious feel. The simplicity of the graphic elements allows the impressive photographs of the environment to stand out, not distract from them, but rather highlight them.
The line going through the letters in the logo is an abstract representation of mountains. At the same time, it feels cosy and harmonious. In the motion version of the logo, the line is being drawn, takes a breath and disappears again. This displays the peace that can be found in Tré.
2024
book redesign with new illustrations
Graduation project at Scholastica under the guidance of Zuzana Lednická and Štěpán Marko.
Redesign and new illustrations for my favorite childhood book.
Playing Beatie Bow written by Ruth Park is an Australian children's novel containing a time jump into the past, which is central to my graphic design approach. The result is a book printed on risograph using two colours to mark the different time periods within the typesetting and illustrations.
138 × 200 mm
2023
airport orientation in space
Final project of the fourth semester at Scholastika under the guidance of Zuzana Lednická and Štěpán Marko.
The assignment was to create a set of sixteen pictograms applicable in airport terminal operations and to produce four pieces of sample pictograms in material.
project diary – pictograms
A printed project diary is documenting and showing directions and paths in design (even blind), reflections and thoughts, research, ideas, sketches, assignments, feedback, notes...
148 × 210 mm
2022
book design and illustrations
Graphic design and illustrations of a book for a primary art school.
“This book is for you, who:
– traveled with us, explored the world, and learned new things.
– heard all the experiences from your children that they could have had with us.
– joined our projects even though we had never met before, and thousands of kilometers separated us.
– boldly stood by students on distant journeys and were always there for them.
– read until these lines, maybe just flipped through it, and could pause with us for a moment on one of the journeys.
This book is for you, who are inspired – gather your courage, and join Erasmus+ projects.”
148 × 226 mm
2024